Peter Buggenhout, Gorgo #33, 2013, mixed media: wax, plastic, blood, horse hair, cardboard, PU-foam, polyester; 48 x 72 x 49 cm; vitrine and pedestal 147 x 80 x. .
Ballard, a far more apocalyptic author.As for what you say about.What is the future that artists seem to promise?He did it he continues.Such an arrangement of space is a curatorial choice, but can it also be interpreted as your own personal reading of an imaginary future?Jean-Marie Perdrix, Cheval, bronze à la chair perdue 3, 2013.It has as much to do with the past and the present as with future.Among the various things that happened, there was jeux de peche de l'argent 4d the landing on the moon, one la fente de vidéo gratuit 5 rulli con year before Clarkes prediction; Clarke had also envisioned a personal radio by 1980: Levi thought this was easy but not convenient to produce: better let.In that same article, the writer supports the idea of a return to primitivism, the need to recover deep roots, the reassertion of basic needs to address the advancement of new technologies, social networking, a virtual context.Courtesy Desiré Saint Phalle, Mexico City. .The Registry of Promise sound more prescriptive and idea-based than they actually are.
Thank you very much.
If that perspective has been exhausted (the dominant western narrative/mythology seems to be not just the end of the world, but how it will end) then how can we imagine other perspectives, other forms?
I am not sure what kind of future artists can offer.To what extent can the future generate narrative and form?What is the aspect that most attracts you about the future?Marlie Mul, Puddle (Faint Blue 2014.Jochen Lempert, Untitled (from: Symmetry and the Architecture of the Body), 1997, 2 silver gelatin prints; 18 x 24 cm each. .Rarefaction, order, or entropy?But all of that makes the exhibitions that compose.Jochen Lempert, Untitled, 1997, as for the question of the future and promise, the relationship of the artists in this overall exhibition with time, is, I hope, much more complex.The Time Machine (The Survivors), there was a clear reference to the in-progress perception of the future.If we look at historical determinism, we know that every action is the result of a previous one.Here, the author stresses that talking about the future always entails the idea of a bet or a prediction.